Hey xxx,
Well, I'm a little bit abnormal, since I only review
local bands and it's pretty rare that I haven't at
least heard of a band before I review their disc. But,
that said, I don't think the press kit matters in the
slightest, to tell you the truth. I've hated getting
hard copies of anything for a good five years, and
these days I want everything to just be text and
links.
For example, I'd heard of this band whose email I'll
copy below, but didn't know them well. I ended up
giving them a glowing review about a month and a half
after this email started an exchange back and forth:
"Hey Sam,
This is Tom Tash from the Portland based band "The Bay
State". I am contacting you in regards to possible
inclusion in an upcoming local music section to focus
on our new EP "Let's Turn This City On", which is set
for release on October 1st. I'd be more than happy to
send a copy of the CD over to you but have not been
able to find an actual mailing address. I'd love to
get some more info on how to go about this.
oh and I also wanted to thank the "8 days a week" crew
for the very large photo and caption of us that was
placed on page's 12 and 13 of the July 25th-31st
Issue. It was a nice surprise.
Thanks.
-Tom Tash
www.myspace.com/thebaystate
207-xxx-xxxx"
I checked out their myspace, liked what I heard, and
asked for more information. He sent along a bio and
some information about the disc, then sent a hard-copy
(CD-R, actually) of the disc and I loved it. When it
came time for the official release, I gave it a great
review because they're a great band.
My advice would be to identify those reviewers -
blogs, mags, newspapers, whatever - and try to
cultivate a relationship with them. Then, send out a
similar email, always addressing everyone personally
by name (mass emails are always deleted), saying, hey,
I've got a band with a new disc coming out, it sounds
like such and such, and I think you'd dig it. Do you
want to take a listen? Here's a link to their myspace
and here's a link to a few photos, and here's a link
to their bio. Where should I send the hard copy of the
disc?
If they don't reply, send a follow-up or call directly
and ask them if they got the email (I think it's very
bad manners to not reply to a question in a
personalized email, but not all of my colleagues
agree). If they still don't reply, they're not going
to review the disc no matter what you do. If they do
reply, then you've got them hooked, and they're
probably at least take a real listen and probably give
you some coverage.
Hope that's helpful.
Sam
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So, I had a question today from someone who's got a disc coming out, asking me what should be in an emailed press kit. I thought I would post my response here for everyone's benefit. I said a lot of this stuff in the PR 101 event we put on way back in January, but it's good to rehash it from time to time. Not every reviewer/music writer is like me, but a lot of them are:
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